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If you're new to watercolor, walking into an art supply store can be a little overwhelming.

There are hundreds of brushes, dozens of papers, more paint colors than anyone could possibly need, and enough specialty supplies to make you wonder if you accidentally signed up for a second career.

The good news?

You don't need all of it.

After years of painting and teaching watercolor, I've learned that having the right supplies is much more important than having a lot of supplies.

In fact, one of the things I spend a lot of time teaching my students is how to get comfortable with the materials they already have.

You don't need the most expensive brush.

You don't need 47 colors.

And you definitely don't need every watercolor gadget that catches your eye.

You need a few good basics—and you need to understand how to use them.

So let's talk about what actually matters when you're putting together your watercolor supplies.


The Most Important Supply Isn't Something You Buy

After all these years of painting and teaching, I think the most important thing you can bring to your watercolor table is confidence in your materials.

You don't need to know everything before you begin.

You need to become familiar with your supplies.

Learn what happens when your brush is very wet.

Learn what happens when it isn't.

See how your paper responds.

Mix your colors.

Make ugly marks.

Try again.

That's how you stop being intimidated by your supplies and start feeling like you know what you're doing.

And that is really the goal.

Not having the biggest collection of watercolor supplies.

Knowing how to use what you have.

Because once you understand your materials, you can stop worrying about the supplies...

and get back to the part you actually came to do.

Paint.


Essential Watercolor Tools: What You Really Need to Begin


Starting with watercolor can feel overwhelming because there are so many options. But the heart of your practice lies in a few simple, quality tools that invite you to experiment and express.




Close-up view of watercolor brushes and palette with vibrant paints
Close-up view of watercolor brushes and palette with vibrant paints

What are Good Quality Watercolor Brands?


Choosing Your Watercolor Paint

This is where watercolor beginners tend to get themselves into trouble.

You walk into an art store, see a beautiful set of 36 colors, and think, “That must be what I need.”

It isn't.

You can create an enormous range of colors with a surprisingly small palette. In fact, I would much rather see a student learn how their paints mix than reach for a different color every time they need one.

Understanding your paint is part of learning to paint.

When choosing a watercolor brand, there are a few things that matter more than having a huge selection of colors:

  • Pigment Quality: Look for paints with a good concentration of pigment. Quality watercolor should give you strong, transparent color without requiring half the tube to get there.

  • Lightfastness: If you're creating paintings you want to keep, look for paints rated for good lightfastness. This tells you how well the pigments are expected to hold their color over time when exposed to light.

  • Consistency: Good watercolor should mix smoothly and behave predictably. You want to be able to control the amount of pigment and water rather than fighting with the paint.

And don't assume that the most expensive paint is automatically the best choice for you.

There are excellent student-grade paints that are perfectly suitable for learning, while professional-grade paints can be worth the investment as your skills develop.

My advice? Start with a manageable palette and learn what your colors can do.

Once you understand how your paint behaves, you'll find that you need far fewer colors than you thought.


Some brands offer student-grade paints that are perfect for beginners, while others provide professional-grade options for more experienced artists. It’s worth trying a few to see which feel right for your style and budget.


When I select paints for my watercolor art kits, I focus on those that balance quality and accessibility, so every artist can experience the joy of rich, glowing color.


The Magic of Brushes: Choosing and Caring for Your Tools

A Few Good Brushes

You don't need an entire brush collection.

Start with a good round brush or two, perhaps a larger wash brush, and something smaller for details.

What matters most is learning what your brushes can actually do.

One good brush can make a surprising number of marks when you learn how to use the tip, belly and pressure of the brush.

And this is where practice matters more than shopping.

A $15 brush in the hands of someone who knows how to use it will usually outperform a $40 brush that never gets used properly.


Here’s what I’ve learned about brushes:


  • Shape and Size: Round brushes are versatile for detail and washes. Flats are great for broad strokes and backgrounds.

  • Material: Synthetic brushes are budget-friendly and durable. Sable or squirrel hair brushes offer exquisite control and softness but require gentle care.

  • Care Tips: Always rinse brushes thoroughly after use. Shape the bristles gently and let them dry flat or with the bristles pointing down to avoid damage.



Eye-level view of watercolor brushes resting on a wooden table
Eye-level view of watercolor brushes resting on a wooden table

Good Watercolor Paper: The Foundation of Your Watercolor Practice


Watercolor paper is more than just a surface - it’s where your colors breathe and mingle. Choosing the right paper can transform your painting experience.

This is probably the place I tell beginners to spend their money.

Your paper makes a huge difference in how watercolor behaves.

Cheap paper can make you think you're a terrible painter when, in reality, your paper is fighting you.

Look for 140 lb. cold-pressed watercolor paper to start. It has enough texture to handle watercolor well without being difficult to work on.

You don't have to buy the most expensive paper available. But I would rather see a student use fewer sheets of good paper than a giant stack of paper that makes painting frustrating.

Investing in a few quality brushes and caring for them well will reward you with years of faithful service.


  • Weight: 140 lb (300 gsm) is ideal for most projects. It resists warping and holds water well.

  • Texture: Cold-pressed paper has a slight texture that adds character and helps hold pigment. Hot-pressed paper is smooth and great for fine detail.

  • Size: Start with manageable sizes like 9x12 inches to practice without feeling overwhelmed.


A Palette

You don't need anything fancy here either.A simple palette with wells for your colors works beautifully.And don't be afraid of a messy palette.

A watercolor palette that has been used is usually a sign that somebody is actually painting.

Mine aren't winning any beauty contests.They're working palettes.

Your palette is your mixing garden. A white surface helps you see true colors. Ceramic palettes are easy to clean and durable, while plastic palettes are lightweight and portable.


Beyond the Basics: Extras That Enhance Your Watercolor Experience


Two Water Containers

Yes, two.

One for the really dirty water and one for cleaner water.

It's a small thing, but it makes a difference.

And if you've ever accidentally dipped your clean brush into the water that looked like it came straight out of a mud puddle, you already understand why.

Paper Towels

Don't skip these.

Watercolor is largely about controlling water, which means you're going to need a way to remove some of it when you have too much.

Paper towels can help lift color, soften edges, blot excess water and rescue the occasional situation that looked much better five seconds earlier.

Yes, watercolor has situations.


Once you have your essentials, a few extras can deepen your practice and add joy to your process:


  • Masking Fluid: This liquid latex protects areas of your paper from paint, allowing you to preserve whites and highlights.

  • Spray Bottle: A fine mist of water can keep your palette moist or create interesting textures on paper.

  • Watercolor Pencils: These are perfect for sketching or adding details that blend with your washes.

  • Sketchbook: A dedicated watercolor sketchbook encourages daily practice and experimentation.


Each of these tools invites you to explore new techniques and express your unique vision.


Embracing the Journey with Your Watercolor Painting Supplies


Watercolor is a gentle teacher. It asks us to be patient, to observe, and to embrace happy accidents. The right watercolor painting supplies are like trusted friends on this path, helping you slow down and savor each brushstroke.


As you gather your tools, remember that the most important ingredient is your own curiosity and joy. Every splash of color is a small celebration of creativity and light.


May your paints flow like rivers, your brushes dance like spring breezes, and your paper bloom with the colors of your heart.


Happy painting!

 
 
 

Come Back to Paint With Me!

September Art & Watercolor Series

September is filled with opportunities to paint, learn, and enjoy the creative process. I believe watercolor is a skill anyone can learn with the right guidance and a little practice. Each class is thoughtfully paced, encouraging, and focused on helping you understand not just how to paint, but why watercolor works. From The Blue Goose to Indigo Iris Farm, you'll leave with new skills, greater confidence, and a painting you'll be proud of.

4-Weeks Watercolor

4-Weeks of Watercolor

Four weeks can change the way you see watercolor—and the way you paint. This course is designed to build your skills one week at a time, helping you gain confidence through guided practice and thoughtful instruction.

Starts Sept 9, 2026 361 Oakland Ave, Rock Hill, SC

Watercolor Basics

Watercolor Basics & Techniques

A monthly mini-course for beginners. This month features a Fall theme focusing on using color to create the illusion of white.

September 9, 2026 361 Oakland Ave, Rock Hill, SC

Autumn Watercolor & Blooms

A creative afternoon at Indigo Iris Farm featuring a farm tour, bouquet arranging, and a guided watercolor session.

September 12, 2026 524 Ridge Rd, Clover, SC

Autumn Blooms

Watercolor Class/Intermediate

Focus on principles like balancing shape and value, controlling edges, and using negative painting to create depth. Bring your own supplies.

September 24, 2026 361 Oakland Ave, Rock Hill, SC

Watercolor Intermediate

People often tell me my classes are more than just watercolor lessons. They come to learn, but they leave feeling encouraged, inspired, and excited to paint again. Whether it's your first class or your tenth, you'll leave with new skills, growing confidence, and a painting you're proud of.

Testimonial:

"I keep coming back because every class is fun, relaxed, and I always learn something new. It's one of my favorite things to do!" Jan

"I always have the best time in Martha's classes! Whether it's at Indigo Iris Farm or The Blue Goose, the atmosphere is so welcoming, I learn something new every time, and I always leave excited for the next class."

Studio-Charlotte NC

email: marthasfinearts@outlook.com

Come check out my site


 
 
 

More Than Water: Bringing Your Travels Into Your Watercolor Paintings


When we travel, we almost always bring something home.

A seashell tucked into a pocket. A pressed flower from a morning walk. A ticket stub. A postcard. A favorite photograph.

But what if you could bring a piece of the place into the painting itself?


On a recent trip to Florida, I visited the famous Fountain of Youth. As I stood there, looking at the fountain and the trickle of water, I smiled at the thought of dipping my watercolor brush into a cup filled with water from the spring. Would it make me paint better? Probably not.

But it made the painting unforgettable.

Every time I look at that watercolor, I remember the warm Florida sunshine, the laughter from our trip, and the excitement of creating something with water collected from a place that has inspired stories for centuries.


Travel has a way of finding its way into our art—not just through the landscapes we paint, but through the memories we carry home.

I've known artists who collect sand from beaches around the world, tiny stones from hiking trails, feathers found along quiet paths, or leaves gathered during autumn adventures. Some press wildflowers into sketchbooks. Others tape museum tickets or handwritten notes beside their watercolor studies. These small treasures become part of the creative process long after the suitcase is unpacked.


The next time you travel, look beyond the postcard views. Ask yourself:

What story can I bring home?

Sometimes the most meaningful souvenir isn't something you display on a shelf. It's the memory of a place woven into your painting—a little water from a historic spring, a fallen flower tucked into your sketchbook, or the colors of a sunset remembered with every brushstroke.

Because years from now, someone may admire your painting and compliment the colors or composition.

You'll smile, knowing there's a little piece of your journey hidden in every brushstroke.

And that is what makes original art so personal.

 
 
 

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